The band’s debut album (Earshift Music, 2024) was born out of Ottignon’s extended period of pandemic solitude, a rare stillness in a career defined by relentless touring and collaboration. Alone with his reeds and recordings, he jammed to Joe Lovano, Keith Jarrett, Ornette Coleman and The Necks, composing music that became “an echo of all the sounds that had resonated with me over the years.” The result was deeply personal: a modern acoustic jazz language rooted in the spiritual searching of John Coltrane, Alice Coltrane and Pharoah Sanders, yet unmistakably original.
As the Sydney Morning Herald states, “the impression of flight is not observed, but is experienced and exhilarating.” Central to Volant’s identity is the musicians Ottignon has carefully assembled. Tsamouras brings chromatic hues, sparse but luminous, her playing lending the music much of its buoyancy. James grounds the ensemble with both her playing and overall confidence, with her arco work conjuring dark, textured mystery. And Chan, whose drumming gives the band a new, propulsive motion, keeps the ensemble alert to every shift in the music’s current.
In the time since the ensemble’s debut release, they have continued to evolve as a creative force. Their live performances now incorporate new compositions from all members. The forthcoming second album promises to deepen their collective voice, from groove-driven guttural intensity to the most delicate and contemplative of moods.
As the musicians play, Volant elevates into something much grander: music that holds joy and melancholy in the same breath, born of introspection, and offered outward.
